MEGADETH - Countdown to Extinction (1992)

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Megadeth's answer to Metallica's 'Black' album, and an unashamed bid for commercial success. Countdown to Extinction (originally to be titled 'Symphony of Destruction', but changed for commercial reasons!) certainly  gave Megadeth a considerable sales boost, if not exactly satisfying the fanbase eager for 'Rust in Peace' part two. While it is a blatantly commercial re-imagining, and let's face it, a whole-hearted sell out, the album is not without merit. Songs like 'Foreclosure of a Dream' and 'Architecture of Aggression' stack up well against the dreary plod of songs like 'Of Wolf and Man' and they even had the decency to include the nifty 'Ashes in Your Mouth' which is a million times Thrashier than anything Metallica were doing at the time. Overall a solid album, with undeniable flashes of brilliance and quality, and a crystal clear production by Max Norman (something that was sadly lacking on the otherwise monumental 'Rust in Peace').

MEGADETH - So Far, So Good...So What (1988)

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Having dispensed with the services of Gar Samuelson and Chris Poland, the two Daves returned with a pretty boy guitar teacher and a Fred Flinstone-esque drummer and still pretty much managed to deliver the goods. Chuck Beehler's drumming is best described as lumpen throughout (especially compared to his jazzy predecessor) and Jeff Young's contributions were adequate rather than particularly stunning. Despite this the album contains some bona-fide Megadeth classics, including 'In My Darkest Hour', 'Into the Lungs of Hell' and 'Hook in Mouth'. But the cover of the Sex Pistol's 'Anarchy in the UK' can piss right off, thank you very much. 

MEGADETH - Killing is My Business... (1985)

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A horrible production can't hide the quality of the material on Megadeth's first album, which is significantly more jazzy and progressive (for want of a better word) than anything they would come up with later. This was Mustaine at his pissed-off best, doing his best to show Metallica that he was a better guitarist than Kirk Hammet (and pretty much succeeding it has to be said). Greater albums would follow, but this was an impressive opening volley.