MMMM
This one is a bit like Venom's 'At War With Satan' in that it's a definite game of two halves. Here the lightweight first side drags the score down while the magnificent second side pulls it right back up. Forget about 'Kayleigh' and 'Lavender' the second side is truly where it's at here, a beautifully crafted concept piece which still sounds great twenty five years later.
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